{"id":8518,"date":"2020-10-09T15:37:21","date_gmt":"2020-10-09T15:37:21","guid":{"rendered":"https:\/\/minwashin.org\/artistes\/kigos-papatie\/"},"modified":"2026-01-19T12:18:00","modified_gmt":"2026-01-19T17:18:00","slug":"kigos-papatie","status":"publish","type":"artistes","link":"https:\/\/minwashin.org\/en\/artists\/kigos-papatie\/","title":{"rendered":"Kigos Papatie"},"content":{"rendered":"
\n

\u00ab\u00a0When I create something, I always aim at raising awareness. My work is about injustice and history. Doing so nurtures my hope. We are still here. We must not abandon hope!\u00a0\u00bb<\/p>\n<\/blockquote>\n

A filmmaker, cameraman and sound recorder, Papat\u00e8 writes and directs all his films, which have traveled the world and saluted by many awards at many international festivals. Such is the case for Wabak <\/em>(2006), which won the award for best experimental film at the 2007 Winnipeg Aboriginal Film Festival and the Mainfilm Young Hope Award at the First Peoples\u2019 Festival. L\u2019Amendement<\/em> (2008) was presented before Denys Arcand\u2019s L\u2019\u00c2ge des t\u00e9n\u00e8bres<\/em> before thousands of people in a hundred or so movie theatres across Quebec. This short film also won the award for Best Indigenous Language Production at the 2008 ImagineNative Festival.<\/p>\n

Papat\u00e8 makes short films in his native language (with subtitles) on the reality of those around him. His work is characterized by the diversity of unique techniques, which combine technological innovation and intrinsic forces of nature. He prefers creating visual effects directly in the forest rather than on a computer; one technique consists in projecting images on water and bark. His ingenious approach led to the creation of a unique visual vocabulary that is deeply inspired by his ancestral culture.<\/p>\n

\n

\u00ab\u00a0[Our language] has a long history. It is still alive and I am one of the few lucky people who have learned it and still speaks it. Ensuring that our young people continue to learn and use it is one of the missions I have chosen for myself. The Anishinaabe language must not remain a murmur.\u00a0\u00bb<\/p>\n<\/blockquote>\n

While his techniques have evolved significantly over the years, Papat\u00e8 has nevertheless kept faithful to issues dear to him. To direct his very first short film, Anicinape Madiziwin <\/em>(2004), he spent time with elders of his community, listening to their vision of history. After the death of some of those elders, Papat\u00e9 measured the priceless value of the testimonies he had gathered for making his film. In the summer of 2019, Papat\u00e8 undertook a grand tour of the Anishinaabe territory to meet elders and make a portrait of his ancestral language, its history, diversity and future. Anicinapemowin <\/em>(Let\u2019s speak Anishinaabe) was presented in 2019 at the second edition of Miaja, a major event on Anishinaabe language held by Minwashin. Papat\u00e8 hopes that his work can bring different generations together and, most importantly, mobilize the youth. \u00ab\u00a0There is a disconnect between generations, and I don\u2019t want this to happen within families.\u00a0\u00bb<\/p>\n

In Papat\u00e8\u2019s opinion, documenting and archiving are only part of the solution. In order to allow the Anishinaabe culture to flourish within the arts community, it has to preserve its integrity in museum contexts. In 2013, Papat\u00e8 contributed in developing a permanent exhibition at the Mus\u00e9e de la civilisation de Qu\u00e9bec with La Bo\u00eete Rouge. The following year, he presented three of his films at the first edition of Dialogue<\/em>, an exhibition held at Ma Mus\u00e9e d\u2019art, Rouyn-Noranda. In 2015, he worked with Abitibi artist and poetess Sonia Cotten on an original creation within the framework of Dialogue II<\/em>. In 2019, Papat\u00e8 accepted to assume the role of Commissioner for Dialogue III<\/em>.<\/p>\n

\n

\u00a0\u00ab\u00a0I believe that what I deliver is in organic form, whether it be through filmmaking or in exhibitions. I combine the organic world and the technological world, the Aboriginal world and the non-Aboriginal world. Exchanges are always profitable when people listen to each other.\u00a0\u00bb<\/p>\n<\/blockquote>\n

Papat\u00e8 is the dedicated father of three children. He enjoys initiating them to art and their culture. With them, he started to explore painting and has developed a keen interest for this art form.<\/p>\n<\/div>

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